Singing Silence

An abstraction of the plan of the cloister and its proportion system leads to the original shape of the benches. Sitting at the two non-perpendicular corners ofthe plan, the combination not only respond to the angled turning point of theabbey but also the scales of the plan, which strictly follows the proportional system of the architect that was used to control all the dimensions of this building.

Curating & Furniture Making about the exhibition Dom Hans van der Laan. A house for the Mind Roosenberg Abbey, Antwerp, Belgium